{Review} Chris Mann's Debut Album #Roads
This time last year, Chris Mann faced his make-or-break moment. “I remember it was Halloween night and my blind audition for The Voice was just a few days away,” Mann recalls. “I was a nervous wreck. I went to The Voice with the hope of just making the show.”
What a difference a year makes. Now Mann is
signed to Faircraft/Universal Republic, a new label formed by renowned
producer/music executive Ron Fair. He’s also releasing his major label debut, Roads,
a bold re-imagining of the classical-pop genre. The aptly-titled album
represents the culmination of a long and challenging journey for this gifted
and dedicated young artist, who’d been pushing forward against what had
appeared to be overwhelming odds.
After studying opera at Vanderbilt in
Nashville, the Wichita, Kansas, native had spent years singing in clubs and
auditioning for record labels without a nibble, until three years ago, when one
classical label took a chance on him. Mann was working on what would have been
his debut album when he was abruptly dropped, the victim of a wholesale regime
change at the company. Devastated, he started working behind the scenes as a
session singer on Glee, and
occasionally getting on camera as a member of the fictional vocal group the
Warblers. He was making a decent living, and for a while he managed to convince
himself that it was what he should be doing with his career.
“I never doubted my talent, but I had so many
people not know what to do with me that I started to think I was weird,” Mann
explains. “So I spent the next couple of years doing pop, until I realized I
was wasting my time, and my voice, trying to dumb it down. I decided to go back
to the genre I love—what I’d dedicated my whole life to learning how to
do—classically based pop music.”
When he strode onto a sound-stage at Sony
Studios to perform Andrea Bocelli’s “Because We Believe” for his Voice audition, Mann was more nervous than he’d
ever been before a performance. “It was a combination of knowing that this was
bigger than anything I had ever done before and realizing that it could change
my life,” he says. “I just sensed that that something different was gonna
happen this time—something good.”
Mann’s intuition was right. He killed it that
day and was selected to be on Christina Aguilera’s team. "As the first
serious classical singer on one of these shows, I couldn't believe it when I
kept getting voted through, week after week. These people who kept voting for
me were my fans—they gave me back my confidence and helped me find my true
voice.”
After the series ended, Mann signed with
Faircraft—serendipitous in that back in 1998 Fair, then senior vice-president
of A&R for RCA Records, had signed, oversaw and supervised Aguilera’s
career. The decision was a no-brainer for both Mann and Fair. “Ron is a
believer,” says Chris. “He has a passion for classical crossover music—he gets
it.” Together, they immediately began conceptualizing of the album project—or
projects, including a Wal-mart exclusive Christmas EP.
“I knew exactly what I wanted to say and how
I wanted to say it, because I’d been preparing for this record for so long,”
Mann points out. He called on an A-list crew of producers: Walter Afanasieff
(Josh Groban, Andrea Bocelli, Celine Dion, Mariah Carey), Keith Thomas
(Charlotte Church, Luther Vandross, Vanessa Williams), Marco Marinangeli (Josh
Groban, Il Divo), Marius de Vries (Madonna, U2, Josh Groban) and Bleu (Selena
Gomez, Demi Lovato),as well as arranger/conductor Joel McNeely (Seth McFarlane,
various Disney soundtracks).
“These guys are pros and they all speak the
same language,” says Mann. “Still, it was amazing how smoothly and quickly it
all went. We got 16 tracks—the album and the EP—done in six weeks. That’s
because the vision was so clear.”
Roads boasts a wildly eclectic assortment of songs,
ranging from Willie Nelson’s “Always on My Mind” and Lady Antebellum’s “Need
You Now” to “Ave Maria” and Damien Rice’s “The Blowers’ Daughter,” with the
latter featuring a special guest appearance from Aguilera. About “The Blower’s Daughter” and singing with Chris, Aguilera says, “It's a
beautiful song and I really respect the way he’s expressing himself on the
album. Everything from his tone, to his richness, to his soulfulness comes
through loud and clear.”
Mann co-wrote two songs, “Cuore,” based on
Bach’s “Air on a G String,” and the contemporary ballad “Falling.” A widescreen
take on Coldplay’s anthem “Viva La Vida”—which sounds like it was written
expressly for Mann to sing—provides the album with an ecstatic climax.
While Mann chose most of the material
himself, it was Fair who instigated what would become the album’s centerpiece,
hooking up with Paul Anka, who was so taken with Mann’s voice and story that he
reworked “My Way” specifically for Chris. Anka tweaked the lyrics so that
instead of being about a guy looking back, this new version is written from the
point of view of a young man looking hopefully ahead—a notion central to the
theme of Roads.
That Anka would, for the first time ever, massage
this Frank Sinatra-associated standard for him to sing meant a great deal to
Mann, whose late grandfather had himself once headed to L.A.in an attempt to
make it as a Sinatra-influenced crooner, only to shelve his dream, return
to Kansas and start a family. “I was raised on Sinatra by my granddad, so I have
a strong connection to him as I’m pursuing my own dream,” says Mann in a
particularly emotional moment. “If he’d known that I’d one day be working with
Paul Anka, and that I’d be recording the only other official version of ‘My
Way,’ he would be so proud and excited.
About Mann’s take on the classic song, Anka
says, “"It’s uniquely special. [Chris has] now established a whole
new level. [My Way] has a whole new life to it. The arrangement is
amazing."
“‘My Way’ is the anchor of the album, but
[lead single] ‘Roads’ is the cloth from which I want everything to be cut,” he
continues. “It was given to me by Keith Thomas, who produced it, and I
connected to it immediately. The concept is about how life can throw you a
curve ball or it can change everything overnight, but either way you have to
stay on this road and it will lead you home. That’s exactly how my road has
been—a marathon that’s brought me to this new beginning.”
Having realized one lifelong dream, Mann
acknowledges there are more dreams still unfulfilled. “I would love to sing on
an ancient amphitheater stage somewhere in Europe,” he says, “and I’ve always
fantasized about winning a Grammy. I can’t wait to see where this road
I’ve been on for so long leads me next.”
You can visit ChrisMannMusic.com for all of the latest news, and to view the latest videos!
To purchase this amazing album from Chris Mann, Roads can be found at iTunes or Amazon. Chris Mann can be found on Twitter, Facebook, and YouTube.
Look for Home For Christmas, Chris Mann's Christmas EP sold at Wal-Mart!
*This is a review post from One2One Network. I was provided with a copy of the #Roads album and I am eligible for a prize drawing. All opinions stated are 100% my own.
I love hearing about new music! I have been stuck in a rut listening to kids music for far too long!! He's easy on the eyes too! ;)
ReplyDeleteThank you Michelle for stopping by! I love the words to Roads, and I love the new album! Thanks for supporting Chris Mann!
DeleteBeautiful! His is exactly the kind of music I love. That music video brought tears to my eyes. I'm going to check out the CD right now. I'm doing my Amazon shopping today and I think I'll be putting this in my cart!
ReplyDeleteThank you Amy! You will love the CD, and I agree
DeleteRoads, was very moving! Thank you for listening and watching the new music video!
Love the music!! Such an appropriate song after Hurricane Sandy!
ReplyDeleteThanks Kerri, I couldn't agree more! Great song and a boost of positive love!
DeleteI saw him at Blissdom this year and he was amazing!
ReplyDeleteWow so awesome! I'm going to download his album now. Thanks for sharing. I didn't get a chance to watch the voice but had heard great things about him.
ReplyDelete